2009년 3월 17일 화요일

5 ways to breathe new life into failed urban plans

By Nicolai Ouroussoff
Tuesday, March 17, 2009

A computer rendering of one of the five proposals for the Slussen project, the redesign of Stockholm's urban center, by BIG, a Copenhagen firm. (BIG Architects)

STOCKHOLM: City officials here have yet to announce the winning design for the Slussen project, which aims to replace a tangle of traffic circles, bridges, underpasses and boat locks in the heart of this city. But they have already done us a major public service.
The five proposals in the competition, on view at Stockholm.se/slussen, offer a snapshot of contemporary urban planning ideas. They include a breathtaking design by Jean Nouvel, a head-scratching proposal by Norman Foster and some intriguing work by younger talents who are still mostly unknown internationally.
But the competition's greatest value is as a measure of just how far many European governments have come in addressing failed urban policies of the past. The designs all seek to breathe new life into the dead zones created unwittingly by Modernist and postwar planners.
Built in the mid-1930s, Slussen is a prime candidate for a re-examination of large-scale Modernist planning. Designed to link two sides of the historic city, its concrete entry ramps curl around a cylindrical office building before stretching over an underground bus terminal and the massive locks that regulate boat traffic between Lake Malaren and the Baltic Sea.
In some ways the weaving of a mind-numbing range of transportation systems into a single integrated network made the project a tour de force. But the structure began to deteriorate decades ago, partly because of the poor quality of its concrete construction. Most planners regard it as a lesson in everything that was wrong with orthodox Modernism: endless swaths of barren concrete plazas and dank underpasses that seemed to invite midday muggings.
The competition encourages us to ponder those values with a fresh, unbiased eye. The most intriguing of the five designs can be separated more or less into two categories: those that try to bring clarity and order to the jumbled traffic systems, and those that seek to draw the bustling energy of the old city across the site.
Mr. Nouvel's entry tries to harness that energy. He begins by rerouting the bulk of car traffic to the west, forging a more direct connection between southern Stockholm and the central business district. An immense public park laid over this freeway would offer stunning views of Lake Malaren.
The existing bridge is transformed into a contemporary Ponte Vecchio, a pedestrian alleyway of shops and restaurants that links the two sides of the city. A series of layered roof structures replicate the density and complexity of the urban tissue on either side; terraces present spectacular watery vistas. The design reflects a conviction that the collision of ideas, even more than architectural forms, gives cities their civilizing power.
The most impetuous challenger to Mr. Nouvel's proposal, from BIG, a young, still relatively unknown firm in Copenhagen, treats emptiness as a virtue rather than a vice. Like Mr. Nouvel, these architects reroute the majority of car traffic to the west. A new pedestrian plaza is then draped over the network of locks and walkways like a soft crumpled blanket. A series of incisions are cut into this surface, and the concrete fabric peels back to make room for retail space underneath. The surfaces of these giant flaps become public bleachers where pedestrians can sit and look out at the sea.
The contrast in philosophies is striking. Mr. Nouvel is part of a generation of European architects whose ideas were shaped by the student uprisings of 1968 and the collapse of old Modernist dogma. Through his architecture, he has sought to recapture the messiness of ordinary life that tabula-rasa planning typically erased. Rather than smoothing over the competing forces that shape the contemporary city, his fragmented forms celebrate tension.
The architects of BIG, weaned in the age of the Internet, seem more interested in fashioning a fluid, integrated relationship among architecture, landscape and public infrastructure. To them the barren windswept plazas of early Modernism are not horrifying; they are a source of inspiration. In an age when we are constantly bombarded with visual noise, these architects seem to be saying that desolation can be a refuge. If their design has a weakness, it may be that it lacks the mix of monumental and intimate spaces that humanize Mr. Nouvel's scheme.
The rest of the proposals fall somewhere between these two extremes. A design by the Swedish architect Gert Wingardh evokes Baron Haussmann's grand arterial plan for Paris, substituting straight lines for the old curves of the 1930s project. The traffic bridge is straightened to create a more direct link to the old medieval quarter. The city grid is extended to the water's edge. The most poetic detail is a small pedestrian bridge whose low form seems to skim over the surface of the water.
But the project is tainted by commercial excess. The matrix of retail and residential buildings that spill toward the water's edge is split in two by a giant staircase that evokes a more vulgar version of the Spanish Steps in Rome. A towering wall of glass shops on the banks of the lake is no more than a glorified mall.
Mr. Foster's entry also disappoints. It is dominated by a pedestrian bridge that corkscrews up over the lake before connecting to a big public plaza. The bridge would take forever to cross while presenting nothing special in terms of visual experience. The plaza, roughly the proportions of Trafalgar Square in London, is framed by pretentious pseudo-traditional buildings that are meant to blend into the surrounding context but only diminish it.
The cool hyperrational spaces of the final design, by Nyrens Architects, may bring to mind Eastern-bloc architecture of the 1960s and '70s. It is dominated by a series of sweeping terraces that step down to the lake. A massive exhibition building sits on top of the bus terminal, its monumental form isolated within a plaza.
But whatever you may think of the individual designs, the range of ideas presented here will be instructive for American urban planners entering an era of potential policy change. Government cash is nice. But we also need government to support fresh and innovative thinking about cities.

2009년 2월 12일 목요일

Solar array to supply utility in California

By Andrew Revkin
Thursday, February 12, 2009


The largest utility in California, squeezed by rising demand for electricity and looming state deadlines to curb fossil fuels, has signed a deal to buy solar power from seven immense arrays of mirrors, towers and turbines to be installed in the Mojave Desert.
The contracts amount to the world's largest single deal for new solar energy capacity, said officials from the utility, Southern California Edison, and BrightSource Energy, the company that would build and run the plants. When fully built, the solar arrays on a sunny day would supply 1,300 megawatts of electricity, more than a modern nuclear power plant.
That is enough electricity to power about 845,000 homes.
The companies acknowledged that several hurdles would have to be surmounted before the first surge of electricity flows from the desert - in theory around 2013 - toward power-hungry cities more than 200 miles, or 320 kilometers, away.
First is approval by the state Public Utilities Commission. But more challenging, they said, is a series of permits for improving transmission lines. That process in the past has taken seven to 10 years per project, said Stuart R. Hemphill, vice president for renewable and alternative power for the utility.
"The reality is that renewable projects are very far away from where customers are," Hemphill said. "The key is to have transmission built."
He said he was confident the solar project would succeed, and he emphasized that it was part of the company's accelerating shift toward new energy sources, including recent large contracts for wind turbines, photovoltaic rooftop panels and geothermal power. "What we're doing is changing the shape of the way the electric system is going to operate in California," he said.
BrightSource, with investors as varied as Google and the VantagePoint venture capital firm - and with advisers who include the environmental campaigner and lawyer Robert F. Kennedy Jr. - has refined a decades-old technology. Thousands of small mirrors focus intense desert sunlight on a central tower, where it generates steam to drive a turbine.
Officials from the utility and plant builder said the cost of the plants and the electricity they will produce could not be disclosed under California law.
The deal is one of many signs that concentrated solar power, after decades of ups and downs, is finding an important place around the world, said Severin Borenstein, a specialist in energy policy at the Haas School of Business of the University of California, Berkeley.
But the technology remains substantially more expensive than coal as an electricity source, Borenstein said, and further expansion will depend on whether the public continues to support renewable mandates or a rising price on emissions from coal burning. "Everybody's for reducing greenhouse gases until you start having to pay for it," he said.
California is imposing one of the country's most aggressive renewable-power mandates on its utilities. Southern California Edison, Pacific Gas & Electric and other providers are racing to meet a deadline of having at least 20 percent of electricity flowing from renewable sources by the end of 2010.
Vanessa McGrady, a spokeswoman for Southern California Edison, said the utility now gets 16 percent of its electricity from renewable sources.
Even with the new plants and other nonpolluting energy options, the state still faces big energy and emissions challenges, given relentless growth in demand for electricity at peak times.
In 2008, Pacific Gas & Electric, in Northern California, entered agreements to buy nearly 900 megawatts of power from BrightSource of Oakland, California. BrightSource has installed a pilot plant in the Negev, in Israel.
Other designs for plants that concentrate sunlight to generate power are in operation or under development in Spain, the Middle East, North Africa and elsewhere in the Southwest.

2009년 2월 11일 수요일

Architect trims costs by using computers

By Alec Appelbaum
Wednesday, February 11, 2009

When Bruce Ratner hired Frank Gehry in 2004 to design a wrinkled-looking 76-story residential skyscraper in New York near the Brooklyn Bridge, the market for eye-popping luxury condominiums was booming, and the world-class architect's multimillion-dollar fees probably seemed relatively insignificant. Now, however, the economy is crumbling, the building is envisioned as rental apartments and Gehry is bringing a more potent tool to control costs than most architects can deliver.
For the Forest City Ratner Companies, the developer of Beekman Tower, the project will test the idea that an architect can provide powerful (and expensive) modeling software to help keep costs down. Using the software, fabricators have produced a facade with various textures at a price that Gehry says does not exceed what a developer would pay to build a conventional boxy building of similar dimensions.
The project, Beekman Tower, which has $680 million in debt and is due to open with 904 apartments in 2010, will be Gehry's most important contribution to New York's skyline. With the building's distinctly bumpy silhouette, "the idea I was trying to achieve was a fabric, so it would catch the light," Gehry said.
Gehry developed the software, now called Digital Project, to produce a sculpture of a diaphanous fish for a Barcelona exposition in 1992 and refined it to specify the titanium panels cloaking his celebrated Guggenheim Museum Bilbao, which opened in 1997. He based it on the three-dimensional software that aerospace companies use. "If they can build airplanes paperless, I think buildings can be built paperless," Gehry said.
In 2002, he spun off the software business into a company called Gehry Technologies, which sells Digital Project to other developers and architects and trains project teams to use it.
Digital Project works by modeling, in three dimensions, every odd shape an architect envisions and then letting engineers and architects reconcile the shape with a building's site, ductwork and other features. It shows how one change to a building's ingredients changes all the others.
The stakes in construction are very high. Developers say that the closeness of the match between what an architect draws and what contractors produce can make or break a project. When engineers and contractors misunderstand how parts of a building connect, resulting delays often inflate a construction budget by 5 or 10 percent.
These days, when banks are loath to risk any money, such contingencies are not available. And some developers do not expect them to return soon.
"If you've got a $100 million cost that your bank engineer has approved, you will add $5 million or $10 million contingency for construction errors into your loan," said Donald Capoccia of BFC Partners, which is building a twisty residential tower called Toren near the Brooklyn side of the Manhattan Bridge. "In the future, with stricter underwriting requirements, I believe a building with a $100 million deal will have to be done for $90 million or less."
Architects routinely use modeling software, but the latest version of Digital Project would enable them to try extreme designs for skyscrapers. While acknowledging that the Gehry software is impressive, Carl Galioto of Skidmore, Owings & Merrill, a firm that has designed many skyscrapers, says that it is hard to learn and three or four times as expensive as a conventional modeling program. Revit Architecture, the industry standard from Autodesk, is listed at $5,495 on Autodesk's Web site.
At Beekman Tower, the pressure on Digital Project is intense. The returns on a rental building are likely to be lower than on a condominium, and committing to Gehry's ornate design could burn the developer if it leads to cost overruns.
Beekman Tower, with steel panels that bend a little, a lot or not at all and sit in various ways on the building's skeleton, is definitely complicated. "There is a stair-step character that I tried to achieve," Gehry said.
While Gehry fine-tuned his design and Forest City Ratner tweaked the mix of apartment sizes and shapes, Digital Project analyzed the number of stainless-steel panels that could be used while meeting an essentially fixed price. "There are flat panels, panels that curve a little and panels that curve a lot," explained Dennis Shelden, chief technology officer of Gehry's software company.
Software modeling revealed where panels could sit flush against the skeleton, where they could break without letting in too much cold air, and where they could lean outward.
"We had to find places to put cylinders or cones behind the panels to prop them up," said Sameer Kashyap of Gehry Technologies, who oversees the use of Digital Project at Beekman Tower. "This is the first time a 76-story building has had entirely unique slab edges."
Forest City Ratner's relationship with Gehry is not limited to this project. He also created a design for the multibillion-dollar Atlantic Yards project, with 17 buildings, which the company has proposed for downtown Brooklyn. With lawsuits pending and the economy turned sour, however, none of those buildings have gone to construction.
Of Forest City Ratner's financing for Beekman Tower, $203.9 million is in tax-exempt Liberty bonds, which Ratner secured by agreeing to build a public school at the base ( Gehry did not design it) and by directing $6 million to a fund to support affordable housing. The project must repay a $476.1 million loan from a consortium of six international private lenders. The developer says it is current on its debt service.
Gehry professes confidence that Digital Project will guide the tower smoothly through construction. "The Bilbao Museum came in $3 million under on a $100 million budget," he said. "If there were surprises at Beekman, I would know about them."
Forest City Ratner said that the project is on time and on budget. "It will stay on budget," added a spokeswoman, Joyce Baumgarten.
Success with this version of Digital Project seems crucial to Gehry's legacy. He has frequently been commissioned by institutional clients, which might be expected to be more indulgent than profit-minded developers.
But his image suffered when the Massachusetts Institute of Technology sued his firm in 2007 because of leaks in his 720,000-square-foot Ray and Maria Stata Center, a laboratory and classroom building with a day care center and gym. (Neither MIT nor Gehry's companies would comment about the litigation, which is pending in Superior Court in Boston.)
But David Gerber, Gehry Technologies' chief marketing officer, said that future refinements of Digital Project will incorporate more information and avoid foul-ups. The latest iteration, Gerber said in a recent interview, even models a building's basement sprinklers.
Architects and developers agree that software to measure a building's ingredients will gain value as governments tighten rules about buildings' effects on the environment. "You can ask a model to show you what shadow a building casts, or how far materials have to travel to a job site," says Phil Bernstein, a technologist with Autodesk.
So Digital Project may offer Gehry a way to make money in an economic era when relatively few clients are likely to be commissioning ambitious buildings. The Swire Group, a Hong Kong concern, used it to deliver One Island East, a tower in Hong Kong, several months ahead of schedule last year.
"Our service is now in consulting," said Shelden, the chief technologist for Gehry Technologies. "But we are in discussion with some clients about a shared-savings model," under which the company would be paid a portion of a client's savings in construction overruns.

2009년 2월 9일 월요일

Soaring skyscrapers in dark economic times

The technology exists for super tall buildings that top 1,000 meters, but who could afford rent at that altitude?




Tall buildings go up as the economy goes down, according to the skyscraper index that came to prominence in 1999 in a report penned by Andrew Lawrence, a former researcher at Deutsche Bank.Lawrence argued that skyscrapers preceded economic downturns. He cited the Chrysler and Empire State buildings that went up during the Great Depression, in 1929 and 1930, respectively.And then there’s Chicago’s Sears Tower and New York City’s World Trade Center, both erected in the 1970s when the United States was plagued by stagflation. Switch to Asia and the financial crisis in 1997 and up pop the Petronas Twin Towers in Kuala Lumpur, Malaysia. We now find ourselves in desperate economic times, and last year was the biggest year yet for skyscrapers. The average height of the top 10 buildings reached a staggering 319 meters (1,046 feet), and compared to a decade ago, skyscrapers have grown an average of 31 meters in height. This year, due to the construction of the Burj Dubai Building, which will stand more than 800 meters, the average is expected to rise. In Korea, though, the story is more complex. In the past decade, there have been frequent announcements for plans to build skyscrapers higher than 100 stories, but none have materialized. While skyscrapers have sprung up like mushrooms in Dubai and China, Korea has little to show in that area. “We have the capital, technology and a demand for skyscrapers but we have not moved forward because of regulations and public opposition that few people will really benefit,” said Kim Jong-su, who heads the Korea Super Tall Forum, which comprises academics and people in the building industry who support the construction of tall buildings. People like Kim are frustrated by the government’s reluctance to push ahead with a tall buildings program. When housing prices were roaring in 2005, homeowners in Apgujeong-dong and Cheongdam, southern Seoul, wanted to renovate their existing apartment complexes to 60 stories, but the government cited dozens of reasons for blocking these plans, such as air traffic safety. Even if you don’t trust the skyscraper index, the current global economic downturn has yet again ignited discussions in Korea on building skyscrapers. Currently, the city of Seoul is lifting regulations to make it possible to build skyscrapers along the Han River.
An artist’s impression of American architect Eugene Tsui’s Ultima Tower that, if ever built, would be 3.2 kilometers tall.The Lee Myung-bak administration sees skyscraper projects as a way to create businesses and jobs. That’s why we’re going to construction of Busan Lotte World start in March this year; the Landmark Building in Sangam-dong, western Seoul, to start construction early next year; and the World Business Center Busan project to start in June 2010. All three are very high buildings.




An artist’s impression of American architect Eugene Tsui’s Ultima Tower that, if ever built, would be 3.2 kilometers tall.

All three are very high buildings.Needless to say, building standards have changed as technology has grown more sophisticated. In 1890, buildings over 10 stories were considered tall but nowadays the Council on Tall Buildings and Habitat define tall buildings as those 50 stories or taller. Buildings in Korea that are 50 stories high, or over 200 meters tall, qualify as skyscrapers. The country’s first skyscraper was the 63 Building in Yeouido, Seoul, that commands a height of 249 meters. Construction started in February 1980 and was completed in May 1985. At the time of its completion, it was the tallest building in Asia. In the late 1990s, other buildings such as the Tower Palace buildings in Dogok-dong, southern Seoul, that range from 55 to 69 floors replaced the 63 Building as the No. 1 skyscraper in Korea.
An artist’s impression of Busan Lotte World complex, which begins construction in March this year. [JoongAng Ilbo]Inevitably, architects, engineers and property developers want to build even higher, and today’s building technology make buildings like Busan Lotte World possible. It’s expected to have 120 floors. For the Seoul area, the Yongsan Dream Tower and Incheon Tower are mammoth buildings slated for the metropolitan area. Both should be higher than 600 meters when finished. But aiming for the sky is not cheap. According to experts, a 60-story building is 1.3 to 1.4 times more expensive than building two 30-story buildings because construction costs rise with the ever-increasing height of the building. From a technical viewpoint, it is possible to go as high as 1 kilometer, but only the super rich could afford the rent.



An artist’s impression of Busan Lotte World complex, which begins construction in March this year. [JoongAng Ilbo]

From a technical viewpoint, it is possible to go as high as 1 kilometer, but only the super rich could afford the rent. Yet, despite the high costs involved, companies that engage in such projects argue that skyscrapers have a positive impact on the local economy. Lotte Group argues that if it spends at least 1.7 trillion won ($1.2 billion) to build a 112-floor second Lotte World in Jamsil, southern Seoul, about 2.5 million people will be employed during the duration of the project on a yearly basis.
Not only that, about 23,000 permanent jobs will be created upon completion of the building, Lotte claims. These tall buildings are also viewed as tourist attractions, and that means cash and development. Experts say that a 100-floor building is usually home to 10,000 permanent workers.Critics of tall buildings argue that they are not healthy places to live.People living in tall buildings over a prolonged period report feelings of dizziness, but people like Kim Jong-su of the Korea Super Tall Forum dismiss such concerns, saying research from overseas suggests that living in an apartment 80 floors up poses no health problems. What is undisputed is the risk of fire: It’s much harder to evacuate people from the top floors if a fire breaks out lower down the building. That is why the city of Seoul has separate rules when it comes to tall buildings. Provided they are not counted in the overall space of the building, construction companies are required to build a special floor for evacuation purposes every 25 to 30 floors. In addition, builders have to install elevators for the exclusive use of evacuation.Nevertheless, the Ministry of Land, Transport and Maritime Affairs tried recently to relax safety measures for tall buildings and add more flexibility to regulations for building design.But the National Emergency Management Agency objected, saying that current laws that require heliports for certain buildings be enforced.Striving to build buildings even higher than existing ones is part of human nature, but tall buildings are also seen by some as the ultimate solution to resolve the Earth’s population problems. The American architect Eugene Tsui conceived the idea of the Ultima Tower as part of a study of the compact urban area of San Francisco. The project combines nature with an urban environment on a scale that would blow away all competition. This tower would be 3.2 kilometers high and, if built, would easily be the world’s tallest building, a title it would probably hold for a very long time.


By Hoh Kui-seek JoongAng Ilbo [africanu@joongang.co.kr]

Stars align for maker of electric car infrastructure

By Bill Vlasic
Monday, February 9, 2009

DETROIT: When Shai Agassi set out in 2007 to develop an infrastructure to service electric cars, circumstances were hardly in his favor.
Gasoline was cheap, and big pickups and SUVs still ruled the road in the United States. While auto companies were working on alternative-fuel vehicles, they seemed destined for a tiny niche market of green-minded consumers.
But now Agassi and his start-up company, Better Place, are riding the tailwinds of an industry that is suddenly obsessed with going electric.
Nearly every major auto company in the world is committed to building electric cars, and President Obama has made reducing oil consumption a centerpiece of his energy policy.
It's a fortuitous turn of events for Agassi, a former software executive who is bringing his Silicon Valley business acumen to devising a system to increase the driving range of electric cars.
The 40-year-old, Israeli-born entrepreneur is selling the sizzle of a new idea at the same time he is putting it into practice.
The key to consumer acceptance of electric cars, he said, is installing a network of stations that can replace drained batteries with fresh ones - just like filling a vehicle with a new tank of gas.
By building its first battery-changing stations in test markets like Israel, Denmark and Japan, Better Place is positioning itself to be a critical link in the evolution of the electric-car market.
"The battery is a consumable part of the car, just like gasoline," Agassi said during a recent interview. "Cars in the 1950s only went about 100 miles on a tank of gas, and that problem was solved by installing an infrastructure of gas stations."
Agassi acknowledges that there is much work to do to perfect the mechanics of switching a vehicle battery in a few minutes during a roadside stop.
But his concept has already won powerful converts in government and industry, including Shimon Peres, a former Israeli prime minister, and Carlos Ghosn, the chief executive of the Renault-Nissan auto alliance.
Agassi has also tapped into a spirit of change and an anything-is-possible mentality fostered by the hopeful, new Obama administration.
"I start with the question, how do you run a country without oil?" Agassi said. "To get there, you need the number of electric cars coming into the market to exceed the number of gasoline vehicles."
Up until recently, such a goal would have seemed a fantasy. But auto companies are now putting vast resources into electric-car projects, with several of them vowing to have a model on the market by 2011.
Advances in lithium-ion battery technology have increased the range and reliability of prototype electric models. Agassi is betting that batteries will become commodity products that can be leased and then replaced on demand in the ordinary course of driving.
Better Place has joined forces with governments in several countries to test its switching stations, and has also signed agreements in Hawaii and with a nine-city alliance of communities in the San Francisco Bay area.
The mayor of San Francisco, Gavin Newsom, envisions his city as an incubator for electric vehicles.
Part of the challenge is to convert existing sources of electricity - like municipal light poles - into charging stations for consumers.
"But what Shai is doing with these switching stations is taking the worry out of charging your car," said Newsom. "It relegates the concern about running out of electricity to the back of one's mind."
Agassi has no previous experience in the auto industry, but has been a devotee of electric cars for some time. He owns one of the 1,500 battery-powered RAV4 sport utility vehicles that Toyota built for testing purposes in the late 1990s.
He was a computer programmer who started a series of software companies with his father, the last of which they sold to the software giant SAP in 2001. He rose to become SAP's chief technology officer, and appeared on track to one day become chief executive.
In 2005, Agassi joined a business forum called Young Global Leaders, and attended the Davos economic conference. In one of the discussion sessions, attendees were asked to consider ways to "make the world a better place" - a concept that stuck with Agassi.
He left SAP two years ago and founded Better Place in Palo Alto, California, with $200 million in backing from venture capitalists in Israel and the United States. In a few months, he was meeting with Peres and Ghosn - again in Davos - to finalize an agreement to build switching stations in Israel for electric cars produced by Renault.
He has since signed similar deals in Denmark, Japan, Australia, and, most recently, Canada.
The Better Place system includes software that analyzes a vehicle's battery consumption, and can direct drivers either to small-scale charging spots or full-size switching stations.
Agassi estimates that a single battery-switching station will cost about $500,000 to build. A vehicle will park on a conveyor similar to the track in a car wash, and within minutes its depleted battery will be removed and replaced with a fully-charged one.
The batteries themselves might possibly be owned by Better Place, with consumers simply purchasing electric charges as they would cellphone minutes.
Renault and Nissan have already agreed to make electric cars that use stations built and owned by Better Place in test markets, and Agassi has pitched his plans to several other auto companies.
One auto industry analyst said the business model should be particularly appealing to automakers.
"Frankly, we are not aware of any reason why they would not sign up for this, as the automakers do not need to commit capital for infrastructure or for batteries," Rod Lache, a Deutsche Bank analyst, wrote in a research report on electric vehicles.
Better Place will open its first battery-switching stations by 2010, in Israel. Agassi expects that tax credits for electric cars will be widespread in several countries by then. Demand for the vehicles, he said, will grow in proportion to the ease of charging batteries or exchanging them.

2009년 1월 27일 화요일

New Day on Climate Change

Tuesday, January 27, 2009


In one dramatic stroke, President Obama has removed any doubts that he intends to break sharply from President George W. Bush's policies on yet another vital issue - this time repudiating Bush's passive approach to climate change. At a news conference on Monday, Obama directed the Environmental Protection Agency to consider immediately California's application to set its own rules on greenhouse-gas emissions from cars and trucks. Bush had rejected that application.
Once California receives permission to move ahead - as it surely will - 13 states, and possibly more, are expected to impose similar rules. The result will be to force automakers here and overseas to begin producing cars and trucks that are considerably more fuel efficient than today's models and on a faster timetable.
The California decision is of great significance not only for that reason but for what it says about Obama's commitment to the cause of reversing the rise in greenhouse gases. Bush began his tenure by breaking a campaign promise to regulate carbon dioxide and by withdrawing the United States from the Kyoto agreement on climate change. Obama begins his with a clear signal that he will not hesitate to use the regulatory levers provided by the Clean Air Act and other federal statutes to fight global warming.
California has long had the right to set stronger air pollution standards than the rest of the nation, provided it has federal permission. Its earlier requests to set stronger air pollution standards were routinely approved, but in this case the Bush administration said no, dredging up all manner of arguments to support its case. One was that California had not demonstrated "extraordinary and compelling" reasons to limit greenhouse gases; another was that a national regulatory system was preferable to state-by-state laws - even though the administration itself had shown no interest whatsoever in a national system.
In a companion move, Obama directed the Transportation Department to complete the interim nationwide fuel-efficiency standards called for in the 2007 energy bill. These standards would eventually require fuel-efficiency increases in the American car and light-truck fleet to roughly 35 miles per gallon by 2020 from the current average of 27 mpg The California standards would require automakers to reach the same 35 mpg target four years ahead of the federal timetable.
The California rules cannot by themselves stop the rise in greenhouse gases. In addition to regulatory controls, Obama must eventually embrace a broader strategy involving major federal investments in clean-energy technologies and, down the road, some effort to put a price on greenhouse-gas emissions in order to unlock private investment. But after eight years of inaction, this is a wonderful start.

Democratic feud hurts Obama's climate agenda

By John M. Broder
Tuesday, January 27, 2009

WASHINGTON: President Barack Obama is moving quickly to act on the environmental promises that were a centerpiece of his campaign. But tackling global warming will be far more difficult - and more costly - than the new emissions standards for automobiles he ordered with the stroke of a pen Monday.
Already, the congressional Democrats Obama will need to carry out his mandate are feuding with one another.
By coincidence or design, most of the policy makers in Congress and in the administration charged with shaping legislation to address global warming come from California or the East Coast, regions that lead the United States in environmental regulation and the push for renewable energy sources.
That is a problem, says a group of Democratic lawmakers from the Midwest and the Plains states, which are heavily dependent on coal and manufacturing. The lawmakers have banded together to fight legislation they think might further damage their economies.
"There's a bias in our Congress and government against manufacturing, or at least indifference to us, especially on the coasts," said Senator Sherrod Brown, Democrat of Ohio. "It's up to those of us in the Midwest to show how important manufacturing is. If we pass a climate bill the wrong way, it will hurt American jobs and the American economy, as more and more production jobs go to places like China, where it's cheaper."
This brown state-green state clash is likely to encumber any effort to set a mandatory ceiling on the carbon dioxide emissions blamed as the biggest contributor to global warming, something Obama has declared to be one of his highest priorities. Obama has said he intends to press ahead on such an initiative, despite opposition within his own party in Congress and divisions among some of his advisers over the timing, scope and cost of legislation to curb carbon emissions.
The centrist Democrats who urge a slower approach represent states that are crucial electoral battlegrounds and that stand to lose the most from such regulation. They say they believe that global warming is a serious threat and they will support legislation to address the problem - but not at the expense of their already-strained workers and industries.
These Democrats are concerned, they say, that climate bills will be written by committees in the House and Senate led by two liberal California Democrats, Senator Barbara Boxer and Representative Henry Waxman, and shaped by Obama's team of environmental and energy advisers, virtually all of whom are from California or the East Coast.
For decades, California has led America in environmental regulation, including the most sweeping effort to address global warming by imposing mandatory caps on greenhouse gas emissions starting in 2012.
Following California's lead, a group of Northeastern states have created a partnership known as the Regional Greenhouse Gas Initiative to control carbon emissions.
But California and many East Coast states also differ sharply in the extent to which they depend on coal - a fossil fuel that is a major culprit in producing carbon emissions. California, for example, derived only 20.7 percent of its electricity from coal and 40 percent from hydroelectric power and renewable sources in 2005, while Ohio drew 86 percent of its electricity from coal that year, according to the Department of Energy. Other states of the Great Lakes and the Plains are much more like Ohio than California in energy usage.
Obama and leaders in Congress have endorsed a so-called cap-and-trade system in which power plant owners and other polluters could meet limits on heat-trapping gases like carbon dioxide by either reducing emissions on their own or buying credits from more efficient producers.
Obama's energy and environmental advisers include Lisa Jackson, the former head of the New Jersey environmental agency who will lead the Environmental Protection Agency; Steven Chu, former director of the Lawrence Livermore National Laboratory in California, who is the new secretary of energy; and Nancy Sutley, former deputy mayor of Los Angeles for environmental affairs, the new chairwoman of the White House Council on Environmental Quality.
Among other things, the appointees will have to deal with bruised feelings among many Democrats over the coup Waxman mounted last November to wrest the gavel of the Energy and Commerce Committee from its longtime leader, Representative John Dingell, Democrat of Michigan and a longtime champion of the auto industry and other Midwest manufacturers.
"For us, it's still a big disappointment," said Senator Debbie Stabenow, Democrat of Michigan, referring to the unseating of Dingell, who was pursuing a more moderate climate proposal than those advocated by Boxer and Waxman.
Stabenow is a leader of the so-called Gang of 10, representing the coal-dependent states in the middle of the country; the group was formed after the failure of a Senate global warming bill pushed by Boxer last June. The members' goal is to assure that their concerns are met in any future legislation.
"We will play an important role in the final bill," Stabenow said.
Representative Edward Markey, the Massachusetts Democrat who has been a leader in Congress on environmental matters for three decades, has been assigned by Waxman to write the House's version of global warming legislation. Markey said he was very aware of the concerns of coal-state Democrats.
He noted that Obama, who comes from Illinois, a coal-dependent state, had traveled to Ohio last week to speak at a factory that produces parts for wind turbines. "Every single wind turbine takes 26 tons of steel to construct," Markey said. "A lot of new jobs will be created if we craft a piece of global warming legislation correctly, and that is our intention."

2009년 1월 13일 화요일

Gulf oil states seeking a lead in clean energy

By Elisabeth Rosenthal
Tuesday, January 13, 2009

ABU DHABI, United Arab Emirates: With one of the highest per capita carbon footprints in the world, these oil-rich emirates would seem an unlikely place for a green revolution.
Gasoline sells for 45 cents a gallon. There is little public transportation and no recycling. Residents drive between air-conditioned apartments and air-conditioned malls, which are lighted 24/7.
Still, the region's leaders know energy and money, having built their wealth on oil. They understand that oil is a finite resource, vulnerable to competition from new energy sources.
So even as President-elect Barack Obama talks about promoting green jobs as America's route out of recession, gulf states, including the emirates, Qatar and Saudi Arabia, are making a concerted push to become the Silicon Valley of alternative energy.
They are aggressively pouring billions of dollars made in the oil fields into new green technologies. They are establishing billion-dollar clean-technology investment funds. And they are putting millions of dollars behind research projects at universities from California to Boston to London, and setting up green research parks at home.
"Abu Dhabi is an oil-exporting country, and we want to become an energy-exporting country, and to do that we need to excel at the newer forms of energy," said Khaled Awad, a director of Masdar, a futuristic zero-carbon city and a research park that has an affiliation with the Massachusetts Institute of Technology, that is rising from the desert on the outskirts of Abu Dhabi.
These are long-term investments in an alternative energy future that neither falling oil prices nor the global downturn seems likely to reverse. Even as the local real estate market is foundering, leaders in politics, business and research from across the globe will flock to this distant kingdom for three days starting Monday for the second World Future Energy Summit, which just one year after its inception here has become something of a Davos gathering on renewable energy.
This year's guest list includes a former British prime minister, Tony Blair, and the European Union energy commissioner, Andris Piebalgs, as well as the oil and gas ministers of Oman, Bahrain and the United Arab Emirates. In attendance will also be executives representing hundreds of companies, large and small, from BP and Credit Suisse to dozens of start-up companies from Europe and the United States.
"Truth is that locally money is tight as everywhere, and the property market is certainly taking a correction downwards," said Richard Hease, whose Dubai-based company, Turret Middle East, organized the conference. "But on the renewable energy front, it is business as usual."
This new investment aims to maintain the gulf's dominant position as a global energy supplier, gaining patents from the new technologies and promoting green manufacturing. But if the United States and the European Union have set energy independence from the gulf states as a goal of new renewable energy efforts, they may find they are arriving late at the party.
"The leadership in these breakthrough technologies is a title the U.S. can lose easily," said Peter Barker-Homek, chief executive of Taqa, Abu Dhabi's national energy company. "Here we have low taxes, a young population, accessibility to the world, abundant natural resources and willingness to invest in the seed capital."
The vision of a renewable future in the gulf is rooted not so much in a fuzzy green sentiment — though that is starting to take hold — as in analysis of the region's economic future and the high-end lifestyles of its citizens.
"You see what the gulf states have achieved in terms of modern infrastructure and beautiful architecture, but this has come at a very high environmental price," said Awad of Masdar, standing in a field of 40 types of solar panels that the project's engineers are testing, and using to power offices.
"We know we can't continue with this carbon footprint," he said. "We have to change. This is why Abu Dhabi must develop new models — for the planet, of course, but also so as not to jeopardize Abu Dhabi."
The world is now consuming 80 million barrels of day, and that could continue to rise steeply over the coming decades if population and consumption trends continue. That could mean having to add six Saudi Arabias worth of oil output just to keep up, according to Barker-Homek, at a time when scientists are warning that carbon levels need to be cut significantly to avoid potentially disastrous global warming.
To hedge their positions, then, an increasingly sophisticated generation of largely Western-educated leaders in the Middle East are seizing on green business opportunities, by seeding research in faraway nations.
The crown prince of Abu Dhabi, the wealthiest of the seven emirates that make up the United Arab Emirates, announced last January that he would invest $15 billion in renewable energy. That is the same amount that President-elect Obama has proposed investing — in the entire United States — "to catalyze private sector efforts to build a clean energy future."
Masdar, the model city that will generate no carbon emissions, is tied to the crown prince's ambitions. Designed by Norman Foster, the British architect, it will include a satellite campus of the Massachusetts Institute of Technology, as well as a research park with laboratories affiliated with Imperial College London and other institutions.
In Saudi Arabia, the new state-owned King Abdullah University of Science and Technology, or Kaust, gave a Stanford scientist $25 million last year to start a research center on how to make the cost of solar power competitive with that of coal. Kaust, now in its first grant cycle, also gave $8 million to a Berkeley researcher developing green concrete.
And it has other agreements as well, with Caltech, Cambridge, Cornell, Imperial, La Sapienza, Oxford and Utrecht, to name just a few.
In November, the Qatari government signed an agreement with Britain's visiting prime minister, Gordon Brown, to invest £150 million, or more than $220 million, in a British low-carbon technology fund, dwarfing the fund's investments from home.
For the rest of the world, the enormous cash infusion may provide the important boost experts say is needed to get dozens of emerging technologies — like carbon capture, microsolar and low-carbon aluminum — over the development hump to make them cost-effective.
"The impact has been enormous," said Michael McGehee, the associate professor at Stanford who received the $25 million Saudi grant. "It has greatly accelerated the development process."
Director of the largest solar cell research group in the world, Professor McGehee had tried and failed to get money from the United States government or American industries to commercialize cheaper solar cells. Research money is tight, he noted.
With the Saudi money he has hired 16 new researchers and expects the new energy cells to dominate the market by 2015. "People are astonished to see how big this grant is and where it came from," he said, noting that his past grants from the United States government were one-fiftieth that amount.
Experts say the vast investments from the gulf states have already restarted stalled environmental technologies.
Nancy Tuor, vice chairwoman of CH2M Hill, the Canadian construction firm that is building Masdar city, said that the sheer size of the investment had had a "forcing effect," pushing polluting industries to experiment with cleaner solutions.
For example, initial plans for Masdar excluded both aluminum and conventional concrete because the production of those materials generates high levels of carbon emissions, which warm the planet. Aluminum manufacturers protested and came back with a product that reduced emissions by 90 percent compared with regular aluminum; it is now included in the project.
Proponents say Masdar goes beyond creating new materials and is in fact exploring a new model for urban life. Masdar will use one quarter of the energy of a conventional city its size (about 50,000 people) — an amount that it will produce itself.
"When people think about sustainability, they think about devices," said Gerard Evenden, a partner at Foster and Partners, the British architectural firm that is designing the site. "But here you're taking it to a city scale, which has much more of an impact — connecting the devices to the structure to the transportation to the people."
The city will have no cars; people will move around using driverless electric vehicles that move on a subterranean level. The air-conditioning will be solar powered.
With no industrial history, the gulf states say they have the advantage of starting from scratch in developing green manufacturing; countries like the United States are forced to retool ailing industries, like car manufacturing.
Also, although the gulf states have previously showed little interest in green energy like wind or solar, they have another advantage, Awad noted as he stood in the shimmering desert. "The sun shines 365 days a year," he said.

2008년 12월 28일 일요일

South Korea to invest $28.5 billion in new power plants

Reuters
Sunday, December 28, 2008
SEOUL: South Korea plans to invest 37 trillion won (£19.3 billion) from 2009 to 2022 on new power plants, including 12 new nuclear plants, to boost fuel efficiency and cut emissions, Seoul's energy ministry said on Sunday.
South Korea, the world's fifth-largest crude importer, will also build seven new coal plants, 11 LNG plants and one heavy fuel plant by 2022, but it will get rid of three existing coal plants, six LNG plants and 13 heavy fuel units to boost efficiency, it said in a statement.
"The plan is to generate more low carbon power while decreasing the use of high-priced reserves such as LNG and coal. Under the plan, the fuel cost will be about 56 percent lower than this year," the ministry said.
The total number of nuclear power units will rise to 32, or 32.92 million kilowatts, by 2022 and account for 48 percent of the country's total power generation, from 34 percent this year.
LNG, which is the most expensive fuel, will account for just 6 percent of total power generation in 2022, down from the current 22 percent.
The overall electricity power capacity will increase to 100.89 million kilowatts by 2022, up from 71.36 million by end-2008.
Separately, the ministry said it would lend a combined 289.8 billion won to petroleum developers in 2009 to help the country secure stable energy supplies.
Of the finalised budget, 60 percent will go to existing projects both at home and abroad and the remainder to new exploration.
The ministry said the government would increase the ratio of lending support to non-government companies in 2009, while it would curtail lending to the state-run Korea National Oil Corporation.
(Reporting by Angela Moon and Kim Yeon-hee; Editing by Lincoln Feast)

2008년 12월 27일 토요일

Architecture deluxe and delusional: An era ends

By Nicolai Ouroussoff
Thursday, December 25, 2008

NEW YORK: Who knew a year ago that we were nearing the end of one of the most delirious eras in modern architectural history? What's more, who would have predicted that this turnaround, brought about by the biggest economic crisis in a half-century, would be met in some corners with a guilty sense of relief?
Before the financial cataclysm, the profession seemed to be in the midst of a major renaissance. Architects like Rem Koolhaas, Zaha Hadid, Frank Gehry, and Jacques Herzog and Pierre de Meuron, once deemed too radical for the mainstream, were celebrated as major cultural figures. And not just by high-minded cultural institutions; they were courted by developers who once scorned those talents as pretentious airheads.
Firms like Forest City Ratner and the Related Companies, which once worked exclusively with corporations that were more adept at handling big budgets than at architectural innovation, seized on these innovators as part of a shrewd business strategy. The architect's prestige would not only win over discerning consumers but also persuade planning boards to accede to large-scale urban projects like, say, Gehry's Atlantic Yards in Brooklyn.
But somewhere along the way that fantasy took a wrong turn. As commissions multiplied for luxury residential high-rises, high-end boutiques and corporate offices in cities like London, Tokyo and Dubai, more socially conscious projects rarely materialized. Public housing, a staple of 20th-century Modernism, was nowhere on the agenda. Nor were schools, hospitals or public infrastructure. Serious architecture was beginning to look like a service for the rich.
Nowhere was that poisonous cocktail of vanity and self-delusion more visible than in Manhattan. Although some important cultural projects were commissioned, this era will probably be remembered as much for its vulgarity as its ambition.
Every major architect in the world, it seemed, was designing an exclusive residential building here. With its elaborate faux-graffiti barrier, Herzog & de Meuron's 40 Bond Street was among the most indulgent, but it had plenty of rivals, including projects by Daniel Libeskind, UNStudio, Koolhaas and Norman Foster.
Together these projects threatened to transform the city's skyline into a tapestry of individual greed.
Now that high-end bubble has popped, and it is unlikely to return anytime soon. Jean Nouvel's 75-story residential tower adjoining the Museum of Modern Art has been delayed indefinitely. And developers now seem loath to undertake similar projects. Even if the economy turns around, the public's tolerance for outsize architectural statements that serve the rich and self-absorbed has already been pretty much exhausted.
This is not all good news. A lot of wonderful architecture is being thrown out with the bad. Although most of Nouvel's MoMA tower would have been devoted to luxury apartments, for instance, it would have allowed the museum next door to expand its gallery space significantly. It would also have been one of the most spectacular additions to the Manhattan skyline since the Chrysler Building.
And it would be a shame if the recession derailed promising cultural projects like Renzo Piano's new Whitney Museum of American Art in the meatpacking district or Foster's interior renovation of the Beaux-Arts New York Public Library on Fifth Avenue.
Architecture firms, meanwhile, are suffering like everyone else. With so many projects postponed and so few new ones coming in, many are already laying off employees. Aspiring architects who are just emerging from graduate programs are likely to move on to more secure professions, which could spell a smaller talent pool in the future.
Still, if the recession doesn't kill the profession, it may have some long-term positive effects for our architecture. President-elect Barack Obama has promised to invest heavily in infrastructure, including schools, parks, bridges and public housing. A major redirection of our creative resources may thus be at hand. If a lot of first-rate architectural talent promises to be at loose ends, why not enlist it in designing the projects that matter most? That's my dream anyway.By Nicolai Ouroussoff
Thursday, December 25, 2008
NEW YORK: Who knew a year ago that we were nearing the end of one of the most delirious eras in modern architectural history? What's more, who would have predicted that this turnaround, brought about by the biggest economic crisis in a half-century, would be met in some corners with a guilty sense of relief?
Before the financial cataclysm, the profession seemed to be in the midst of a major renaissance. Architects like Rem Koolhaas, Zaha Hadid, Frank Gehry, and Jacques Herzog and Pierre de Meuron, once deemed too radical for the mainstream, were celebrated as major cultural figures. And not just by high-minded cultural institutions; they were courted by developers who once scorned those talents as pretentious airheads.
Firms like Forest City Ratner and the Related Companies, which once worked exclusively with corporations that were more adept at handling big budgets than at architectural innovation, seized on these innovators as part of a shrewd business strategy. The architect's prestige would not only win over discerning consumers but also persuade planning boards to accede to large-scale urban projects like, say, Gehry's Atlantic Yards in Brooklyn.
But somewhere along the way that fantasy took a wrong turn. As commissions multiplied for luxury residential high-rises, high-end boutiques and corporate offices in cities like London, Tokyo and Dubai, more socially conscious projects rarely materialized. Public housing, a staple of 20th-century Modernism, was nowhere on the agenda. Nor were schools, hospitals or public infrastructure. Serious architecture was beginning to look like a service for the rich.
Nowhere was that poisonous cocktail of vanity and self-delusion more visible than in Manhattan. Although some important cultural projects were commissioned, this era will probably be remembered as much for its vulgarity as its ambition.
Every major architect in the world, it seemed, was designing an exclusive residential building here. With its elaborate faux-graffiti barrier, Herzog & de Meuron's 40 Bond Street was among the most indulgent, but it had plenty of rivals, including projects by Daniel Libeskind, UNStudio, Koolhaas and Norman Foster.
Together these projects threatened to transform the city's skyline into a tapestry of individual greed.
Now that high-end bubble has popped, and it is unlikely to return anytime soon. Jean Nouvel's 75-story residential tower adjoining the Museum of Modern Art has been delayed indefinitely. And developers now seem loath to undertake similar projects. Even if the economy turns around, the public's tolerance for outsize architectural statements that serve the rich and self-absorbed has already been pretty much exhausted.
This is not all good news. A lot of wonderful architecture is being thrown out with the bad. Although most of Nouvel's MoMA tower would have been devoted to luxury apartments, for instance, it would have allowed the museum next door to expand its gallery space significantly. It would also have been one of the most spectacular additions to the Manhattan skyline since the Chrysler Building.
And it would be a shame if the recession derailed promising cultural projects like Renzo Piano's new Whitney Museum of American Art in the meatpacking district or Foster's interior renovation of the Beaux-Arts New York Public Library on Fifth Avenue.
Architecture firms, meanwhile, are suffering like everyone else. With so many projects postponed and so few new ones coming in, many are already laying off employees. Aspiring architects who are just emerging from graduate programs are likely to move on to more secure professions, which could spell a smaller talent pool in the future.
Still, if the recession doesn't kill the profession, it may have some long-term positive effects for our architecture. President-elect Barack Obama has promised to invest heavily in infrastructure, including schools, parks, bridges and public housing. A major redirection of our creative resources may thus be at hand. If a lot of first-rate architectural talent promises to be at loose ends, why not enlist it in designing the projects that matter most? That's my dream anyway.
By Nicolai Ouroussoff
Thursday, December 25, 2008
NEW YORK: Who knew a year ago that we were nearing the end of one of the most delirious eras in modern architectural history? What's more, who would have predicted that this turnaround, brought about by the biggest economic crisis in a half-century, would be met in some corners with a guilty sense of relief?
Before the financial cataclysm, the profession seemed to be in the midst of a major renaissance. Architects like Rem Koolhaas, Zaha Hadid, Frank Gehry, and Jacques Herzog and Pierre de Meuron, once deemed too radical for the mainstream, were celebrated as major cultural figures. And not just by high-minded cultural institutions; they were courted by developers who once scorned those talents as pretentious airheads.
Firms like Forest City Ratner and the Related Companies, which once worked exclusively with corporations that were more adept at handling big budgets than at architectural innovation, seized on these innovators as part of a shrewd business strategy. The architect's prestige would not only win over discerning consumers but also persuade planning boards to accede to large-scale urban projects like, say, Gehry's Atlantic Yards in Brooklyn.
But somewhere along the way that fantasy took a wrong turn. As commissions multiplied for luxury residential high-rises, high-end boutiques and corporate offices in cities like London, Tokyo and Dubai, more socially conscious projects rarely materialized. Public housing, a staple of 20th-century Modernism, was nowhere on the agenda. Nor were schools, hospitals or public infrastructure. Serious architecture was beginning to look like a service for the rich.
Nowhere was that poisonous cocktail of vanity and self-delusion more visible than in Manhattan. Although some important cultural projects were commissioned, this era will probably be remembered as much for its vulgarity as its ambition.
Every major architect in the world, it seemed, was designing an exclusive residential building here. With its elaborate faux-graffiti barrier, Herzog & de Meuron's 40 Bond Street was among the most indulgent, but it had plenty of rivals, including projects by Daniel Libeskind, UNStudio, Koolhaas and Norman Foster.
Together these projects threatened to transform the city's skyline into a tapestry of individual greed.
Now that high-end bubble has popped, and it is unlikely to return anytime soon. Jean Nouvel's 75-story residential tower adjoining the Museum of Modern Art has been delayed indefinitely. And developers now seem loath to undertake similar projects. Even if the economy turns around, the public's tolerance for outsize architectural statements that serve the rich and self-absorbed has already been pretty much exhausted.
This is not all good news. A lot of wonderful architecture is being thrown out with the bad. Although most of Nouvel's MoMA tower would have been devoted to luxury apartments, for instance, it would have allowed the museum next door to expand its gallery space significantly. It would also have been one of the most spectacular additions to the Manhattan skyline since the Chrysler Building.
And it would be a shame if the recession derailed promising cultural projects like Renzo Piano's new Whitney Museum of American Art in the meatpacking district or Foster's interior renovation of the Beaux-Arts New York Public Library on Fifth Avenue.
Architecture firms, meanwhile, are suffering like everyone else. With so many projects postponed and so few new ones coming in, many are already laying off employees. Aspiring architects who are just emerging from graduate programs are likely to move on to more secure professions, which could spell a smaller talent pool in the future.
Still, if the recession doesn't kill the profession, it may have some long-term positive effects for our architecture. President-elect Barack Obama has promised to invest heavily in infrastructure, including schools, parks, bridges and public housing. A major redirection of our creative resources may thus be at hand. If a lot of first-rate architectural talent promises to be at loose ends, why not enlist it in designing the projects that matter most? That's my dream anyway.By Nicolai Ouroussoff
Thursday, December 25, 2008
NEW YORK: Who knew a year ago that we were nearing the end of one of the most delirious eras in modern architectural history? What's more, who would have predicted that this turnaround, brought about by the biggest economic crisis in a half-century, would be met in some corners with a guilty sense of relief?
Before the financial cataclysm, the profession seemed to be in the midst of a major renaissance. Architects like Rem Koolhaas, Zaha Hadid, Frank Gehry, and Jacques Herzog and Pierre de Meuron, once deemed too radical for the mainstream, were celebrated as major cultural figures. And not just by high-minded cultural institutions; they were courted by developers who once scorned those talents as pretentious airheads.
Firms like Forest City Ratner and the Related Companies, which once worked exclusively with corporations that were more adept at handling big budgets than at architectural innovation, seized on these innovators as part of a shrewd business strategy. The architect's prestige would not only win over discerning consumers but also persuade planning boards to accede to large-scale urban projects like, say, Gehry's Atlantic Yards in Brooklyn.
But somewhere along the way that fantasy took a wrong turn. As commissions multiplied for luxury residential high-rises, high-end boutiques and corporate offices in cities like London, Tokyo and Dubai, more socially conscious projects rarely materialized. Public housing, a staple of 20th-century Modernism, was nowhere on the agenda. Nor were schools, hospitals or public infrastructure. Serious architecture was beginning to look like a service for the rich.
Nowhere was that poisonous cocktail of vanity and self-delusion more visible than in Manhattan. Although some important cultural projects were commissioned, this era will probably be remembered as much for its vulgarity as its ambition.
Every major architect in the world, it seemed, was designing an exclusive residential building here. With its elaborate faux-graffiti barrier, Herzog & de Meuron's 40 Bond Street was among the most indulgent, but it had plenty of rivals, including projects by Daniel Libeskind, UNStudio, Koolhaas and Norman Foster.
Together these projects threatened to transform the city's skyline into a tapestry of individual greed.
Now that high-end bubble has popped, and it is unlikely to return anytime soon. Jean Nouvel's 75-story residential tower adjoining the Museum of Modern Art has been delayed indefinitely. And developers now seem loath to undertake similar projects. Even if the economy turns around, the public's tolerance for outsize architectural statements that serve the rich and self-absorbed has already been pretty much exhausted.
This is not all good news. A lot of wonderful architecture is being thrown out with the bad. Although most of Nouvel's MoMA tower would have been devoted to luxury apartments, for instance, it would have allowed the museum next door to expand its gallery space significantly. It would also have been one of the most spectacular additions to the Manhattan skyline since the Chrysler Building.
And it would be a shame if the recession derailed promising cultural projects like Renzo Piano's new Whitney Museum of American Art in the meatpacking district or Foster's interior renovation of the Beaux-Arts New York Public Library on Fifth Avenue.
Architecture firms, meanwhile, are suffering like everyone else. With so many projects postponed and so few new ones coming in, many are already laying off employees. Aspiring architects who are just emerging from graduate programs are likely to move on to more secure professions, which could spell a smaller talent pool in the future.
Still, if the recession doesn't kill the profession, it may have some long-term positive effects for our architecture. President-elect Barack Obama has promised to invest heavily in infrastructure, including schools, parks, bridges and public housing. A major redirection of our creative resources may thus be at hand. If a lot of first-rate architectural talent promises to be at loose ends, why not enlist it in designing the projects that matter most? That's my dream anyway.
By Nicolai Ouroussoff
Thursday, December 25, 2008
NEW YORK: Who knew a year ago that we were nearing the end of one of the most delirious eras in modern architectural history? What's more, who would have predicted that this turnaround, brought about by the biggest economic crisis in a half-century, would be met in some corners with a guilty sense of relief?
Before the financial cataclysm, the profession seemed to be in the midst of a major renaissance. Architects like Rem Koolhaas, Zaha Hadid, Frank Gehry, and Jacques Herzog and Pierre de Meuron, once deemed too radical for the mainstream, were celebrated as major cultural figures. And not just by high-minded cultural institutions; they were courted by developers who once scorned those talents as pretentious airheads.
Firms like Forest City Ratner and the Related Companies, which once worked exclusively with corporations that were more adept at handling big budgets than at architectural innovation, seized on these innovators as part of a shrewd business strategy. The architect's prestige would not only win over discerning consumers but also persuade planning boards to accede to large-scale urban projects like, say, Gehry's Atlantic Yards in Brooklyn.
But somewhere along the way that fantasy took a wrong turn. As commissions multiplied for luxury residential high-rises, high-end boutiques and corporate offices in cities like London, Tokyo and Dubai, more socially conscious projects rarely materialized. Public housing, a staple of 20th-century Modernism, was nowhere on the agenda. Nor were schools, hospitals or public infrastructure. Serious architecture was beginning to look like a service for the rich.
Nowhere was that poisonous cocktail of vanity and self-delusion more visible than in Manhattan. Although some important cultural projects were commissioned, this era will probably be remembered as much for its vulgarity as its ambition.
Every major architect in the world, it seemed, was designing an exclusive residential building here. With its elaborate faux-graffiti barrier, Herzog & de Meuron's 40 Bond Street was among the most indulgent, but it had plenty of rivals, including projects by Daniel Libeskind, UNStudio, Koolhaas and Norman Foster.
Together these projects threatened to transform the city's skyline into a tapestry of individual greed.
Now that high-end bubble has popped, and it is unlikely to return anytime soon. Jean Nouvel's 75-story residential tower adjoining the Museum of Modern Art has been delayed indefinitely. And developers now seem loath to undertake similar projects. Even if the economy turns around, the public's tolerance for outsize architectural statements that serve the rich and self-absorbed has already been pretty much exhausted.
This is not all good news. A lot of wonderful architecture is being thrown out with the bad. Although most of Nouvel's MoMA tower would have been devoted to luxury apartments, for instance, it would have allowed the museum next door to expand its gallery space significantly. It would also have been one of the most spectacular additions to the Manhattan skyline since the Chrysler Building.
And it would be a shame if the recession derailed promising cultural projects like Renzo Piano's new Whitney Museum of American Art in the meatpacking district or Foster's interior renovation of the Beaux-Arts New York Public Library on Fifth Avenue.
Architecture firms, meanwhile, are suffering like everyone else. With so many projects postponed and so few new ones coming in, many are already laying off employees. Aspiring architects who are just emerging from graduate programs are likely to move on to more secure professions, which could spell a smaller talent pool in the future.
Still, if the recession doesn't kill the profession, it may have some long-term positive effects for our architecture. President-elect Barack Obama has promised to invest heavily in infrastructure, including schools, parks, bridges and public housing. A major redirection of our creative resources may thus be at hand. If a lot of first-rate architectural talent promises to be at loose ends, why not enlist it in designing the projects that matter most? That's my dream anyway.

2008년 12월 11일 목요일

Pei's Doha museum blends an Islamic past with modernity

By Nicolai Ouroussoff
Wednesday, December 10, 2008


DOHA, Qatar: Ican't seem to get the Museum of Islamic Art out of my mind. There's nothing revolutionary about the building. But its clean, chiseled forms have a tranquillity that distinguishes it in an age that often seems trapped somewhere between gimmickry and a cloying nostalgia.
Part of the allure may have to do with I.M. Pei, the museum's architect. Pei reached the height of his popularity decades ago with projects like the East Building of the National Gallery of Art in Washington and the Louvre pyramid in Paris. Since then he has been an enigmatic figure at the periphery of the profession. His best work has admirers, but it has largely been ignored within architecture's intellectual circles. Now, at 91, Pei seems to be enjoying the kind of revival accorded to most serious architects if they have the luck to live long enough.
But the museum is also notable for its place within a broader effort to reshape the region's cultural identity. The myriad large-scale civic projects, from a Guggenheim museum that is planned for Abu Dhabi to Education City in Doha, are often dismissed in Western circles as superficial fantasies. As the first to reach completion, the Museum of Islamic Art is proof that the boom is not a mirage. The building's austere, almost primitive forms and the dazzling collections it houses underscore the seriousness of the country's cultural ambition.
Perhaps even more compelling, the design is rooted in an optimistic worldview - one at odds with the schism between cosmopolitan modernity and backward fundamentalism that has come to define the last few decades in the Middle East. The ideals it embodies - that the past and the present can co-exist harmoniously - are a throwback to a time when U.S. overseas ambitions were still cloaked in a progressive agenda.
To Pei, all serious architecture is found somewhere between the extremes of an overly sentimental view of the past and a form of historical amnesia.
"Contemporary architects tend to impose modernity on something," he said in an interview. "There is a certain concern for history but it's not very deep. I understand that time has changed, we have evolved. But I don't want to forget the beginning. A lasting architecture has to have roots." This moderation should come as no surprise to those who have followed Pei's career closely. I recall first hearing his name during construction on his design for the Kennedy Library in Boston in the mid-1970s. The library, enclosed behind a towering glass atrium overlooking the water, was not one of Pei's most memorable early works, but the link to John F. Kennedy lent him instant glamour.
Completed 16 years after Kennedy's assassination, the library's construction seemed to be an act of hope, as if the values that Kennedy's generation embodied could be preserved in stone, steel and glass.
In many ways Pei's career followed the unraveling of that era, from the economic downturn of the 1970s through the hollow victories of the Reagan years. Yet his work never lost its aura of measured idealism. It reached its highest expression in the National Gallery of Art's East Building, completed in 1978.
Since that popular triumph, Pei has often seemed to take the kind of leisurely approach to design that other architects, no matter how well established, can only dream of. When first asked in 1983 to take part in a competition to design the addition to the Louvre, he refused, saying that he would not submit a preliminary design. President François Mitterrand nevertheless hired him outright. Pei then asked him if he could take several months to study French history, and spent months traveling across Europe and North Africa before earnestly beginning work on the final design.
In 1990, a year after the project's completion, he left his firm. More recently he has lived in semi-retirement, rarely taking on more than a single project at a time.
Such an attitude runs counter to the ever-accelerating pace of the global age. But Pei's methods also offer a gentle resistance to the short-sightedness of so many contemporary cultural undertakings. Many successful architects today are global nomads, who tend to be more interested in exposing cultural frictions than in offering visions of harmony.
Pei, by contrast, imagines history as a smooth continuous process, a view that is deftly embodied by the Islamic Museum, whose clean abstract surfaces are an echo of both high Modernism and ancient Islamic architecture. Conceived by the Qatari emir and his 26-year-old daughter, Sheikha al Mayassa, it is the centerpiece of a larger cultural project whose aim is to forge a cosmopolitan, urban society in a place that not so long ago was a collection of Bedouin encampments and fishing villages. The aim is to recall a time that extended from the birth of Islam through the height of the Ottoman Empire, when the Islamic world was a center of scientific experimentation and cultural tolerance.
"My father's vision was to build a cross-cultural institution," said Sheikha al Mayassa, who has been charged with overseeing the city's cultural development, during a recent interview here. "It is to reconnect the historical threads that have been broken, and finding peaceful ways to resolve conflict."
Pei's aim was to integrate the values of that earlier era into today's culture - to capture, as he put it, the "essence of Islamic architecture."
The museum's hard, chiseled forms take their inspiration from the ablution fountain of Ibn Tulun Mosque in Cairo, as well as from fortresses built in Tunisia in the eighth and ninth centuries. In order to create a similar sense of withdrawal from the world, Pei located his museum on a small man-made island. Seen from a distance, its blocklike forms are a powerful contrast to the half-finished towers and construction cranes that line the waterfront. Stepped on both sides, the apex of the main building is punctuated by a short tower with an eye-shaped opening that masks an interior dome.
From certain angles the structure has a flat, chimeric quality. From others it seems to be floating on the surface of the water. As one approaches the building, the full weight of the structure begins to bear down, and the forms become more imposing. Soon a few traditional details begin to appearlike the two small arched windows over the entry. These touches provide a sense of scale, so that the size of the building can be understood according to the size of the human body.
The blend of modern and Islamic themes continues inside, where Pei draws most directly from religious precedents. The hemispherical dome, an intricate pattern of stainless steel plates pierced by a single small oculus, brings to mind the geometric patterns used in Baroque churches as well as in ancient mosques.
Pei has created a temple of high art, placing culture on the same pedestal as religion. His aim is both to create a symbol of Islamic culture and to forge a common heritage for the citizens of Qatar and the region.
The grandeur of the atrium is only a prelude to the real climax: the galleries, which are as intimate as the atrium is soaring. Objects are encased in towering glass cabinets set on tables, giving them an accessibility rare in a major museum. And like the building itself, the collections are a reflection of the notion that Modernity and Islamic culture are not in opposition, but woven out of the same historical thread.
The most moving works are those that underscore the cosmopolitan values that are at the core of this museum: the notion that the free, open exchange of ideas is what builds great - and tolerant - civilizations. Pei's museum reminds us that building a culture, as much as a political or social agenda, can be an act of healing. Like all great art, it requires forging seemingly conflicting values into a common whole.

2008년 12월 10일 수요일

Rising emissions put pressure on Japan to set tougher limits

Reuters
Thursday, November 13, 2008
TOKYO: Japanese greenhouse gas emissions rose to a record high in the year to March, putting it at risk of an embarrassing failure to achieve its Kyoto target over the next four years.
The increase of 2.3 percent last year, largely due to the closure of the biggest nuclear power plant in Japan after an earthquake, will increase the pressure for it to give up its efforts to control emissions through voluntary measures and adopt tougher limits on industry like the European Union and Australia.
Japan is the world's fifth-largest carbon dioxide producer, behind the United States, China, Russia and India.
With developing countries already questioning Tokyo's political will to rein in emissions, Japanese actions will be seen as a milestone as governments struggle to agree on a successor to the protocol next year.
Emissions rose to 1.371 billion tons of carbon dioxide equivalent in the Japanese fiscal year through March, after a 1.3 percent decline the previous year, data from the Japanese Ministry of the Environment showed Wednesday.
Analysts said immediate action was called for if Japan was to cut emissions by the estimated 13.5 percent needed to hit its 2012 target under Kyoto of just under 1.2 billion tons, down 6 percent from 1990 levels.
"We immediately need a set of effective policies to drive a change towards a more climate-friendly society," Tetsunari Iida, executive director of Tokyo's Institute for Sustainable Energy Policies, an environment policy nongovernment organization.
Unlike the European Union, Japan has been reluctant to set a mandatory cap or a carbon tax on companies' emissions. Steel makers and other manufacturers resist such caps, saying they would hurt their products' worldwide competitiveness.
The task of cutting emissions may grow even harder with the world tilting toward what may be its worst recession in decades, one that may divert governments' focus away from climate change and the trillions of investment dollars required to stem it.
Although Japan is set to review next year its current measures, based on voluntary pledges on emission cuts across major industries, that could be too late, analysts said.
A rise was widely expected after the world's biggest nuclear plant, run by Tokyo Electric Power, had to suspend operations following a July 2007 earthquake, forcing utilities to meet demand by burning more coal, oil and natural gas, all of which emit far more greenhouse gases.
The plant is expected to remain shut until beyond next March.
While Japanese utilities have stepped up their buying of UN carbon offsets, the data released Wednesday suggests they may have to buy more if Japan is to meet its global pledge, potentially driving up global carbon credit prices.
While Tokyo has worked hard to drive utilities toward cleaner forms of energy, it has also struggled to convince power companies facing tough times to hasten investments in new nuclear power stations with low emissions.
The government also faces public distrust about the scandal-plagued Japanese nuclear industry, including safety fears over the numerous earthquakes the country suffers each year.
On Tuesday, J-Power said it had delayed the start of a major nuclear unit by two years, the latest in a string of delays to new projects.
Yet long term strategies are key to resolving the problem, analysts say.
"There will be no reduction in carbon emissions until there are viable ways of replacing energy supply and energy growth with large-scale renewables," said a climate change expert Barry Brook, of the University of Adelaide in Australia.
"That is where the focus of international action should now be."
Iida said the fact that two new coal plants were being built in Japan underscored the need for sterner government action.
The world's efforts to carve out a pact to follow Kyoto should intensify ahead of a key meeting in Copenhagen next December that negotiators have set as a deadline for establishing a post-2012 framework.
But the debate comes at a difficult time, with developed nations heading into recession, which may help curb emissions by reducing power demand, but also risks distracting from the longer-term task and fostering a return to cheaper carbon energy.
The world needs to invest $26 trillion in energy infrastructure by 2030 just to maintain fossil-based energy supply, the International Energy Agency said last week.
Tokyo has set companies and households a private-sector emissions target, to be met by voluntary steps, of 1.254 billion tons, which will be offset by a further 68 million tons a year by government spending on domestic forest conservation and credits from investing in clean technology in poorer countries.
The key to Japan's voluntary program is the electric power industry, which has pledged to cut carbon dioxide emissions to an average of 0.34 kg per kilowatt hour a year through to 2012.
But in the year to March that figure stood at 0.453 kg due to the closure of the Kashiwazaki-Kariwa nuclear power plant.
Even if the power industry met its voluntary target last year, Japnese emissions would still have exceeded its target, the Environment Ministry said.

EU carbon trading system brings windfalls for some, with little benefit to climate

By James Kanter
Tuesday, December 9, 2008


An RWE power plant near Düsseldorf. The company was accused in 2006 of engaging in "abusive pricing" in charges to customers for the cost of emission credits. RWE is the biggest carbon dioxide emitter in Europe. (Frank Augstein/The Associated Press)








BRUSSELS: The European Union started with the most high-minded of ecological goals: to create a market that would encourage companies to reduce greenhouse gases by making them pay for each ton emitted into the atmosphere.
Four years later, the carbon trading system has created a multibillion-euro windfall for some of the continent's biggest polluters, with little or no noticeable benefit to the environment so far.
The lessons learned are coming under fresh scrutiny now, both in Europe and abroad. EU leaders will meet Thursday and Friday to work on the next phase of their system, seeking, they say, both to extend its scope and correct its flaws. And in the United States, President-elect Barack Obama has pledged to move quickly on a similar program.
As originally envisioned in Europe, companies would buy most if not all of the permits needed to cover their projected carbon dioxide emissions for a year, one permit good for each metric ton of CO2, the main greenhouse gas. If they produced more gases than expected, they would have to buy more permits; if they came in below target, they would be able to profit by selling their extra permits to companies that were polluting over their limit.
The initiative also included another, quieter goal: to raise the price of electricity by letting utilities pass along permit costs, thereby encouraging energy efficiency and innovation among customers as well.
But the system that emerged was far from that model.
After heavy lobbying by giant utilities and smokestack industries, who argued their competitiveness could be impaired, the EU all but scrapped the idea of selling permits. It gave them out for free, in such quantities that the market came close to collapsing because of a glut.
But in line with the original strategy, utilities in countries from Spain to Britain to Poland still put a "market value" on their books for the permits and added some of that putative cost to the prices they charged industrial customers for electricity. And they did not stop there. In one particularly contentious case, regulators in Germany accused utilities of charging customers for far more permits than they were entitled to.
Nowhere was this behavior more evident than at RWE, a major German power company, which has acknowledged that it is the biggest carbon dioxide emitter in Europe. Bank analysts and environmental advocates estimate RWE had received a windfall of roughly €5 billion, or $6.5 billion at current exchange rates, in the first three years of the system, concluding in 2007 - more than any other company in Europe.
In a confidential summary of its findings, obtained by the International Herald Tribune, the German cartel office in late 2006 accused RWE of engaging in "abusive pricing," piling on costs for industrial clients that were "completely out of proportion" with its own costs. It called for cuts of up to 75 percent.
RWE settled the case last year while denying any wrongdoing. It says price increases from 2005 to 2007 predominantly reflected higher costs for hard coal and natural gas.
Europe's overall experience with carbon trading has been a sobering one.
Its implementation has been marked by maneuvers and adjustments to the original framework that have yielded significant cost benefits to many of the continent's biggest polluting industries. Meanwhile, the amount of CO2 emitted by plants and factories participating in the system rose 0.4 percent in 2006 and an additional 0.7 percent in 2007.
The United States is now considering a system of its own, with Obama proposing to make industries buy all of their permits. He has said he would devote $150 billion from the sale of those permits over 10 years to energy efficiency and alternative energy projects.
Many of the framers of the European plan, meanwhile, have thought hard about the way the legislation evolved as they prepare to take up the next phase. But they face the prospect of trying to close numerous lucrative loopholes while confronting the same tug of war between lofty environmental goals and their immediate economic costs - a challenge made even more difficult by the onset of recession.Lofty goals at the outset for curbing CO2 emissions
During long negotiations on the landmark Kyoto climate treaty more than a decade ago, the United States, through the administration of Bill Clinton, was the loudest in insisting on including a reference to "emissions trading" in the treaty.
Americans had pioneered such markets in the 1970s and used them on a broader scale during the 1990s to reduce emissions from power plants blamed for acid rain.
U.S. officials argued that markets were the most effective way of encouraging innovative, emission-reducing technologies.
The European Union initially opposed emissions trading in favor of direct taxes on polluting industries, but later agreed to trading as the price for ratification.
The United States, however, ended up failing to either ratify Kyoto or to require U.S. companies to enter a carbon trading market outside of the Kyoto accord. But the European Commission, the EU executive body, began working on plans to start such a system in Europe.
"We ourselves had invested so much in the Kyoto Protocol in choosing a global deal," Margot Wallstrom, who was the European Union environment commissioner at the time, said during a recent interview. "I was eager to put it in place as soon as possible."
Today, the EU system represents about 75 percent of global carbon trading - a market worth about €60 billion in 2008, according to Andreas Arvanitakis, an analyst with Point Carbon, a research company.
Yet from the start, Wallstrom, who is now a vice president of the European Commission, said she was lobbied heavily by governments and by companies, seeking to limit the financial burden. She would not comment on any specific contacts. But Eurelectric, the main electricity industry lobby group, and its German affiliate met often with EU environment officials to discuss the shape of the emissions trading system.
A decision was made to limit the initial scope to some of the most energy-intensive sectors of the economy: electricity, glass, steel, cement, and pulp and paper. They were chosen primarily because their stationary factories were easier to regulate quickly than moving targets like transport or aviation.
The original idea of charging for all or even most of the permits never gained traction.
Many politicians said they feared that burdening European industries would undercut their global competitiveness, since rivals in Asia or the United States would not have such extra costs imposed on them.
In addition, Europe's energy market for industrial customers was opening to cross-border competition almost simultaneously.
Wallstrom and others at the commission describe the decision to give away the vast majority of permits as having been a necessary concession to get all the players in Europe on board - especially at a time when the Kyoto climate treaty was under attack from the administration of President George W. Bush.
Still, lawmakers at the European Parliament initially sought to require industry to pay for at least 30 percent of its permits, then 15 percent. (The actual trading price on the futures market at the time ranged from €5 to €13.)
But after long negotiations with EU governments, the Parliament enacted a law on July 2, 2003, allowing up to 100 percent of permits to be given away until 2013. Governments could sell some of the permits, up to 5 percent, but only Denmark, Ireland, Lithuania and Hungary did.
Denmark sold the full 5 percent, earning 226 million Danish kroner, or more than €30 million at current exchange rates. Had all the Danish permits been sold at the same price, the government could have reaped more than €600 million for the national budget.Debate turns to arguments of jobs vs. the environment
The EU system is highly decentralized, reflecting the political reality of a bloc that now numbers 27 countries. Thus, the lobbying did not stop in Brussels, but moved on to national capitals, where governments were left in charge of setting emissions levels and distributing the permits to companies within their borders, often with deep political connections.
Germany provided a stark example of what happened next. The cross-fire between environmental advocates and politicians who expressed concern about German competitiveness - and jobs - only intensified. The Greens, a political party, was in the federal government for the first time, as junior partner with the Social Democrats of Chancellor Gerhard Schröder. But the issues were resolved in an arena where energy companies have long wielded enormous political clout, and here they benefited greatly.
After World War II, German energy companies were largely state-controlled. Today, following years of privatization and consolidation, the four energy giants, E.ON, RWE, Energie Baden-Württemberg and Vattenfall, own 70 percent of German capacity and produce an even greater share of the electricity.
Jürgen Trittin, a former Greens leader who was environment minister from 1998 to 2005, recalled being heavily lobbied by executives from power companies, and by politicians from eastern Germany seeking special treatment for burning lignite, a soft brown coal that is common around central Europe and which is highly polluting.
The EU system put the government in the position of behaving like "a grandfather with a large family deciding what to give his favorite grandchildren for Christmas," Trittin said by telephone.
RWE was a special case, he said. The company was "perfectly integrated into the Ministry of Economy, with no clear border," Trittin said.
Wolfgang Clement, the economics minister from 2002 to 2005, had, since 1998, been premier of North Rhine-Westphalia state, where RWE is based. He joined the supervisory board of RWE Power in 2006.
His deputy, Georg Wilhelm Adamowitsch, was, from 1996 to 1999, the representative for federal and European affairs at another energy company, VEW, which in 2000 merged with RWE. At least three other top government officials, including Schröder himself, went to work for energy companies after leaving office.
Trittin recalled a five-hour "showdown" with Clement on the night of March 29, 2004, in which he lost a battle to lower the overall limit on emissions from plants and factories to 488 million tons of CO2 each year, from the level then in force of 501 million tons. Trittin said he was overruled by Clement, who, with Schröder's backing, secured a reduction of just two million tons, to 499 million.
Trittin said Clement accused him of "wanting to de-industrialize Germany."
Environmental groups were disappointed, but industry leaders were relieved. "With this compromise, steel makers can apparently now continue to sustainably produce steel in Germany," Dieter Ameling, the president of the German steel makers' association WV Stahl, was quoted at the time as saying. "The steel industry thanks minister Clement for his input."
The Federation of German Electricity Companies, representing utilities like RWE, expressed its "relief"' as well. "Good sense triumphed in the end," the federation chief, Eberhard Meller, was quoted as saying.
In a recent e-mail message, Clement did not challenge Trittin's account of the meeting, but called his claims of industry influence on the ministry "just nonsense."
Clement said that, during his time in government, he had "many very serious and complicated discussions" with Trittin and other Greens politicians about climate change and the economic costs of fighting it. "I reproached them - and I'm doing this still today - that at the end of their policy there is the de-industrialization of Germany," Clement reiterated. "That's our conflict."
Adamowitsch said by phone that he was not an "ambassador for the German energy industry" while in government or at VEW.
Now an independent consultant working with the Austrian government and the European Commission, Adamowitsch said that the EU emissions system had meant much greater burden for industrial companies making products like cement, where up to one-fifth of the final cost is for energy.
"We are in an industrial battle in the middle of a period of globalization and high energy prices mean we have a real problem in Germany," he said.
Schröder declined to comment for this article.Big winners emerge in ranks of German power companies
The benefits won by German industry were substantial. Under the German national plan, electricity companies were supposed to receive 3 percent fewer permits than they needed to cover their total emissions from 2005 to 2007. The aim was to encourage them to make technical improvements that would reduce emissions and help the country meet its commitment under the Kyoto treaty.
Instead, the companies got about 103 percent of their annual needs, according to the German Emissions Trading Authority, which oversees the system in Germany. That surplus could have been sold for about €290 million at the peak of the market.
German lawmakers also approved scores of combinations of exemptions and bonuses allowing companies to gain additional free permits for things they had done years earlier, or that might only be done in the future. Among them:
Utilities could base their claim for permits at coal and gas-fired plants on emissions levels from as far back as 1994, even if improvements had been made to the plants since then.
Utilities were guaranteed free permits for 18 years to cover any newly built coal or gas plants (a perk that provoked such a reproach from Brussels that it was later revoked).
Utilities could forecast how many permits they needed for each of their plants, despite a history of conflict with regulators over projections used to set tariffs.
"It was lobbying by industry, including the electricity companies, that was to blame for all these exceptional rules," said Hans-Jürgen Nantke, the director of the German trading authority, which is part of the Federal Environment Agency. The exemptions "enabled companies to get allowances that did not reflect the real situation of their emissions."
Jürgen Frech, chief spokesman for RWE, said that policy makers had sought input from all parties affected in creating what was an unprecedented system, and that all the national plans had to be subsequently approved by the European Commission in Brussels. "For industries like electricity production with long investment cycles, it is crucial to have a stable regulatory environment," he added.
RWE received 30 percent of all the permits given out, more than any other company in Germany.
The company said it transferred some of them among its plants - including those in other EU countries - but still found itself running short, and thus did not sell any.
But there was even greater revenue to be found elsewhere.Outrage from customers as electrical bills shot up
Major power consumers in Germany began receiving bigger electricity bills shortly after the system officially started in 2005, amounting to increases of about 5 percent each year. The biggest effect was on heavy users of power in industries like steel that - unlike households - buy power wholesale at prices that are less regulated.
Those customers were enraged, and they asked the German cartel office to investigate.
RWE justified its prices to the cartel office by saying the permits, although received for free, had a value in the marketplace. By not selling them and producing electricity instead, the argument went, it was losing an opportunity for revenue that should be charged to its customers.
In a summary of its preliminary findings, sent to RWE lawyers in December 2006, the cartel office agreed that the company was justified in passing through genuine "opportunity costs." But it accused RWE of charging for more permits than it should have - and suggested that this had been done at a third of all power plants in Germany.
This was what led the cartel office to accuse RWE of "abusive pricing." Investigators said RWE lacked any real opportunity to sell many of its permits because it already had committed to providing substantial amounts of electricity. And they said RWE admitted as much at a closed-door hearing.
Frech, at RWE, said that putting a price on the carbon permits - thereby encouraging everyone to be more efficient - was "beyond reproach."
The company said it was "unable to quantitatively estimate what proportion of the end customer price" was attributable to the carbon permits, mainly because the final price was determined in part by supply and demand.
But the cartel office said RWE should reduce the amount it charged for the permits by 75 percent. At this point the case could have moved toward litigation. The company, however, agreed to a settlement involving auctions that should provide industrial customers in Germany with lower electricity costs from 2009 through 2012.
"Customers will have the CO2 allowances RWE receives for the auctioned product credited to them free of charge," the company said, referring to its permits. "This newfound understanding is preferable to protracted legal battles through several courts."
Selling power without the cost of the CO2 permits also has a downside, however. It undermines the EU goal of curbing emissions and encouraging conservation by raising the cost of electricity to consumers.No smooth path for overhaul as EU economies deteriorate
RWE's net profit jumped 73 percent, to €3.85 billion, in 2005, the first year of the system. RWE does not detail in its financial statements what percentage of net profits is attributable to the carbon system, and the company said it was not able to do so.
Seb Walhain, the global head of environmental markets at Fortis, said that RWE earned up to €5 billion from 2005 to 2007 from the EU system. Felix Matthes at the Institute for Applied Ecology, a German environmental research group, estimated that RWE benefited from windfall profits of €2.2 billion to €3.3 billion annually in 2005 and 2006. Matthes and Walhain said very little, or no, windfall profits occurred in 2007 as a result of the EU system because the price of CO2 permits had fallen virtually to zero.
But emissions have risen steadily at the German operations of RWE since the trading system began. RWE was responsible for nearly 158 million tons of CO2 in 2007, compared with about 147 million tons in 2006 and 120 million tons in 2005, according to its annual reports.
Frech said emissions rose "slightly" in 2007 in part because one of its nuclear power stations "was off line for quite a while." Nuclear-fueled power plants emit no carbon dioxide.
The company also said it was investing €32 billion over the next five years in projects including renewable energy and developing cleaner techniques for generating electricity from hard coal and lignite, which RWE mines in Germany.
"Every investment we make is linked to climate protection," Frech said.
Yet so far there are few signs the system is cutting emissions. The amount of CO2 emitted by plants and factories participating in the system rose marginally in 2006 and 2007, according to the European Environment Agency. (Neither it nor the European Commission made any forecast before the system started about how it would perform.)
Even so, the EU environment commissioner, Stavros Dimas, said in May that emissions would "most likely have been significantly higher" without the carbon trading system.
He called the 2005 to 2007 period a "learning by doing" phase, and noted that limits on emissions have been tightened for the 2008 to 2012 trading period, and the glut of free permits lessened, meaning the price should rise.
But negotiations on how to meet even more ambitious targets after 2012 are in danger of coming undone as the economy worsens.
Prime Minister Silvio Berlusconi of Italy has led the assault on the package, saying that he was not in office last year when it was agreed on. "We don't think this is the moment to push forward on our own like Don Quixote," he said at a summit meeting in October. "We have time."
Poland - which depends on coal-fired plants for 95 percent of its electricity - has threatened to block the package at another summit meeting Thursday and Friday if a compromise is not found to lessen the burden on its energy sector.
RWE, meanwhile, insists that having to pay for all its permits, starting in 2013, with no phase-in period, would distort competition across Europe, which has recently opened up to cross-border energy sales. "Companies such as ours that are giving coal a future and rely on coal-powered generation will find themselves at a distinct disadvantage vis-à-vis companies like Électricité de France, which rely solely on nuclear and have virtually no CO2 to deal with," Frech said.
Industrial customers in Germany are issuing dire warnings of ballooning electricity prices they say are sure to come if utilities try to maintain their profit margins while complying with costly new rules.
The French president, Nicolas Sarkozy, who is leading the political horse trading, continues to push for an agreement. "Europe must be an example for others," he was quoted as saying Saturday in Poznan, Poland.
Nicholas Stern, one of the world's foremost authorities on the economics of climate change since presenting a report for the British government in 2006, said during a recent interview that the United States should draw lessons from Europe's example. He recommended that Obama move quickly toward charging industry for the permits, to avoid such repeated, drawn-out battles.
"Everybody will fight their own corner," he said. "That's why it's so important to have a clear conception from the start."